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A strategy Langston Hughes uses is concealing “politics” in “poetry” (Walkowitz 1). Hughes wanted his writing to be recognized as “art” that also depicts social and racial discrimination. Along with the historical viewpoint in “Harlem,” the poem is “marked by conflicting changes, sudden nuances, sharp and impudent interjections, broken rhythms, and passages … punctuated by the riffs, runs, breaks, and distortions of the music of a community in transition” (Smith 4). In a superficial reading of Langston Hughes's poem "Harlem," one sees only its obvious simplicity, but a closer reading reveals unresolved conflict because of the outer body of the poem that contends with the elements of its inner body (Hansen 1).While reading the poem, it is best to read as Hughes wrote, with the art of propaganda in mind and think of the life that African Americans had during the Harlem Renaissance.
Works Cited
Ekanath, Nila. "The Reality in Langston Hughes' Poems." Language in India 10.4 (2010): 13. Communication & Mass Media Complete. EBSCO. Web. 5 Dec. 2010.
Hall, Jo Claire. Langston Hughes Peace Bird Original Drawing. 2008. Photograph. QOOP.com. 2010. Web. 12 Dec. 2010.
Walkowitz, Rebecca L. "Shakespeare in Harlem: The Norton Anthology, 'Propaganda,' Langston Hughes." Modern Language Quarterly 60.4 (1999): 495. Academic Search Complete. EBSCO. Web. 6 Dec. 2010.
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